Museum without Walls

DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).

David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Non-space I (the degrading idea of home) - This work seeks to displace and reformulate the social aspect of the WebVR space. Employing verticality, mirroring as well as dislocation of the voice and images of viewer inhabited avatar bodies, it teases out other possibilities of social interaction to be explored. Concept and realization: Commonolithic.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).

Subway (Norton, acrylic on wood, 2002) - access in augmented reality

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

Torre (Heide Liebermann, 1981) - access in augmented reality