Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".
The process of “virtual reparation.”
Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.
Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality
David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. Video documentation of VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Rhoda Ellis).
Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.
Digital animation of the skeleton of the bird Rhea americana, based on kinematic study.
Riverine Archive, VR screen capture (© Antonopoulou & Dare).