Museum without Walls

visit here

DiMoDA 1.0 poster for Superchief gallery, 2016.

The process of “virtual reparation.”

Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.

JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality