David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).
untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
© The Kremer Museum
Third World encyclopedia.
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.
David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).
untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality