The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.
Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?
Making of sculptures from the rubble of house demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).
Digitization with the RV Scanner for a PhD thesis at LAPID.
