Museum without Walls

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

DiMoDA 1.0 - opening at Transfer gallery, 2015.

Stratigraphic Turbidities exhibition, by Yuri Frimeza - Museu de Arte do Rio, 2013 (© Wilton Montenegro)

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Some other Espírito Santo Art Museum.

Subway (Norton, acrylic on wood, 2002) - access in augmented reality

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.