DiMoDA 1.0 - abertura na galeria Transfer, 2015.
Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.
Prancha "Universo" - Introdução ao Terceiro Mundo, 2011.
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
Construção de escultura a partir de ruínas de demolições na Vila Autódromo (© Luiz Claudio Silva / acervo Museu das Remoções).
DiMoDA 3.0, 2018. Parceria com SIGGRAPH Asia.
