Museum without Walls

visit here

untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).