Museum without Walls

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

Non-space I (the degrading idea of home) - This work seeks to displace and reformulate the social aspect of the WebVR space. Employing verticality, mirroring as well as dislocation of the voice and images of viewer inhabited avatar bodies, it teases out other possibilities of social interaction to be explored. Concept and realization: Commonolithic.

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).

Dossiers, Magazines, and Reports

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).

Third World encyclopedia.