Museum without Walls

DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.

David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Adam Lockhart).

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

DiMoDA 1.0 - opening at Transfer gallery, 2015.

O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).

The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.

untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.