Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality
Demonstration against evictions and demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Phi Books VR (© Antonopoulou & Dare).
"Oracles" plate - Introdução ao Terceiro Mundo, 2011.
VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).
O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.