Museum without Walls

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

Making of sculptures from the rubble of house demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Torre (Heide Liebermann, 1981) - access in augmented reality