Museum without Walls

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).

"HISTORIC PROCESS"+ "ORIGIN MYTHS" + "THE FUTURE"

Demolition of houses at Vila Autódromo by the city government (© Luiz Claudio Silva / Museum of Removals collection).

VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).

Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.

Some other Espírito Santo Art Museum.

DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.

Non-space I (the degrading idea of home) - This work seeks to displace and reformulate the social aspect of the WebVR space. Employing verticality, mirroring as well as dislocation of the voice and images of viewer inhabited avatar bodies, it teases out other possibilities of social interaction to be explored. Concept and realization: Commonolithic.

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).