Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Third World flag.
© The Kremer Museum
Phi Books presentation at the University of Copenhagen.
Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).
David Hall, TV Interruptions: The Installation, 1971. Schematic showing 3D construction of Hantarex monitor in Maya software by Sang Hun Yu (© University of Dundee/Estate of David Hall).
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?