Museum without Walls

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).

untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality