Museum without Walls

VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?

VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

Weekly meeting of the contidonãocontido project, with the curators-educators.

Stratigraphic Turbidities exhibition, by Yuri Frimeza - Museu de Arte do Rio, 2013 (© Wilton Montenegro)

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).