David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
DiMoDA 1.0 - opening at Transfer gallery, 2015.
© The Kremer Museum
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
Map of the Third World's south-southeast island, 2011.
Phi Books (© Antonopoulou & Dare).
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
Digital animation of the skeleton of the bird Rhea americana, based on kinematic study.
O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.