Museum without Walls

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.

David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

Third World flag.

DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality