Museum without Walls

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

Demolition of houses at Vila Autódromo by the city government (© Luiz Claudio Silva / Museum of Removals collection).

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality

Non-space I (the degrading idea of home) - This work seeks to displace and reformulate the social aspect of the WebVR space. Employing verticality, mirroring as well as dislocation of the voice and images of viewer inhabited avatar bodies, it teases out other possibilities of social interaction to be explored. Concept and realization: Commonolithic.

Torre (Heide Liebermann, 1981) - access in augmented reality

DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.

"Oracles" plate - Introdução ao Terceiro Mundo, 2011.

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality