Museum without Walls

DiMoDA 1.0 - opening at Transfer gallery, 2015.

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

"Oracles" plate - Introdução ao Terceiro Mundo, 2011.

DiMoDA 1.0 poster for Superchief gallery, 2016.

Dossiers, Magazines, and Reports

VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).